The song is a creepy carnival theme that fades out into a rather loud eerie note. "Amusement Park", from the Cowboy Bebop boxed set.And then as a coup de grace, the song ends with a slightly eerie echo and an image of Yujiro looming over Baki. "Reborn," the first ending song from Baki the Grappler, is a mellow guitar song with lyrics about love and happiness, while images of the various cast members who are clearly not thinking about love and happiness float by in the background-for example, Ando is gritting his teeth and swinging an axe.In Soul Eater, the soundtrack 'So Scandalous' has a creepy piano playing in between the techno/hip-pop/jazz number.hack//Legend of the Twilight plays background music normally and then as the Corrupted Mook is about to be summoned from the Chaos Gate, the music begins to slip. But when the last animal shown is a "rund" (ox in Dutch, the equivalent of "ass" in English-speaking countries), the music suddenly takes a sinister twist as it's revealed that one of the puppeteer's hands is completely blown off while the other hand has a missing pinkie, splayed out to imitate an explosion. In a fireworks safety PSA by Dutch-based private advertiser SIRE, a pair of hands display shadow puppets of various animals (including a dog, bird, and swan) as whimsical, happy music plays in the background.Then the two jump on a landmine, and the music changes to a Drone of Dread. This landmine PSA created by Cinar features a little girl and her dog catching butterflies in the hills, accompanied by a gentle music box tune.Then the commercial cuts back to the scene and shows the couple has been devoured by the sofa, as it lets out a terrifying Evil Laugh and smiles. An old commercial for Hudson Toffeepops shows a young couple playing around the house while holding the biscuits, and eventually they recline on the sofa, as the commercial looks like it's wrapping up.However, some versions of the commercials use such an opening as their ending, thus not only coming off as mildly scary but also just plain sad. Said cover begins with a melancholy wail, but that alone is not nightmarish (and therefore not even one of the cases of "First note Nightmare"). The Nissan Juke commercials use Frederika Stahl's cover of a Nursery Rhyme, namely "Twinkle Twinkle Little Star".Early commercials for Verizon's Android offerings started with Mo Zella's upbeat, "It's Magic" to parody iPhone commercials, switching midway to a much darker theme, to establish Droid as a more serious operating system.The music then suddenly becomes very screechy right at the end the accompanying image (a picture of their burnt-out bed) and tagline ("Old Electric Blankets Can Kill") makes it even more terrifying. " George and Betty ", a public information film for electric blanket safety, starts off with a romantic jazzy theme as an old couple enjoys their night together and later get into bed.(Music geeks might be interested to note that there is an opposite technique, the "Picardy third," or "Tierce de Picardie" in which when a song that has been in minor the whole time goes into major on the very last chord.) Compare HA HA HA-No and Dark Reprise. The opposite of a Last Note Nightmare is Last Note Hilarity. Last Note Nightmare can be very comparable to a Jump Scare, especially of the Screamer Prank variety. They may even have been intended as humorous, showing that the artists don't take themselves too seriously. Musicians most likely put these kinds of stingers at the ends of their songs to make them memorable. It's surely not the ending you expected this particular song to have - and if you happen to be really unlucky, it'll burrow into your mind playing itself over and over like some self-regenerating Nightmare Fuel. Then the music fades into a series of dissonant arpeggios with a creepy mechanical voice muttering some nonsensical gibberish that sounds like Satan reciting an Edgar Allan Poe story. Then the final note of the song falls and, instead of a nice soft resolution, it's a heavily played Sting note in a minor Scare Chord. So you're listening to a nice, pleasant song about bunnies and rainbows and running in the rain with your best lover by your side.
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